New wallet (Taken with instagram)
New wallet (Taken with instagram)
#redhook #brooklyn (Taken with instagram)
#american (Taken with instagram)
Line
Wow! Knits that weren’t gifted by grandma. Jennifer Wells and John Muscat of Line elevated knitwear with a collection of futuristic, bold, and glam pieces that prove to be wearable and distinguishing. Titled, “Rustic Remix,” the collection presented austere knits wised up with lambskin and embellished metals. The classic-shaped and detail-lined sweaters flowed out in deep colors within the palette of the northern lights — greens, purples, and grays. We’re feeling the earthy tones and the tweedy-looking knits.
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written by me, published on: http://www.refinery29.com/toronto-fashion-week-pictures/slideshow#slide-11
Joe Fresh FW12
Hound lovers and ’60s babes unite. A highlight of the week, Canadian superstar Joe Mimram of Joe Fresh introduces a menagerie of color and bold houndstooth prints in his “downtown” hyper-chic collection. The rich greens, deep burgundies, and mustards reminded us of an exploding sunset (and we liked it). It was a collection of flashy and fab menswear and womenswear. Mod was the operative word, as JF took a unique twist on ’60s classics.
Joe Fresh’s dandies included tweedy, shiny, and boxy jackets, shiny faux-leather mini skirts, and knitted everything. Urges to head to the discothèque were punctuated by brilliant lunch-box bags and furry clutches mixed in with the houndstooth and flora prints, giving it a late-midcentury British Carnaby street look.
Photo: Courtesy of Alexander Thomson/Joe Fresh
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written by me, published on: http://www.refinery29.com/toronto-fashion-week-pictures/slideshow#slide-11
Pink Tartan
Talk about cig-pants that are actually smokin’. Kimberly-Newport Mimran’s collection features fur, peplum, and monochromatic blunders perfect for any soireé. With sharp-cut mohair tops and flared hem dresses, Pink Tartan does it right, bringing out the femme in suiting ensembles.
Photographed by George Pimentel
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http://www.refinery29.com/toronto-fashion-week-pictures/slideshow#slide-1
Sid Neigum FW12
Menswear, hoorah! Sid Neigum introduced a cross sexual and modern gothic collection. Like an homage to ’80s Comme des Garcon, Neigum introduces an explosion of wearable pieces in variations of sand, black, and white. Solemn models ambled down the stark-white and austere studio in angular, long and short tunics, chunky leather jackets, and tightly tailored trousers with leather patches on knee caps…and the backs of knee caps. The collection is both enchanting and darkwave, and we’re into it.
Photo: Courtesy of Sid Neigum
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Written by me, published: http://www.refinery29.com/toronto-fashion-week-pictures/slideshow#slide-6
Chloé comme Parris
With blacks, nudes, soft, mossy, flower prints, and tons of studs, Chloé comme Parris introduces a collection that is for the goth and charming. The Toronto-based sisters, Chloé and Parris Gordon, kill it with an early 20th century silhouette that takes a clean-grunge twist (yes, it’s possible)! The two told us that they “brought the ’20s and punk/piercing culture together because they seemed so opposite.”
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http://www.refinery29.com/toronto-fashion-week-pictures/slideshow#slide-1
Summer 2012 :)
Styled by Lauren Blane (http://www.laurenblane.com/)
I had the opportunity to act as second stylist assistant in December, 2011 for this spread with Hanne Gaby. It is published in April 2012 Vogue UK.
Bought in NYC
The collection has finally hit MontREAL. More specifically, Simons! This collection was a bit snubbed on Style.com, but l enjoyed it. It’s simple and wearable. You can view the whole collection at: http://www.style.com/fashionshows/review/S2012MEN-PAUL
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-below published on editosimons.ca
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Notorious for classic thread work in menswear, Sir Paul Smith introduces a collection that seemed to have been inspired by the ocean and its depths for the SS12 season. Literal in conveying the theme, the men entered the runway in navy and orange tops and deep-sea themed printed shirts and fitted trousers.
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The models in many shades of blue and navy donned trousers, jackets, and blazers all tightly cuffed to the ankle or wrist, adding a smart twist to classic menswear. Breaking up the pageant of colour variations, Smith rolls out a palette of oranges with rust and tan giving the looks a pop of colour.
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Each look honed a sense of British detail, with a tiny sporty edge and fill of charm. Paul Smith’s collection of blazers and button-ups prove to be adaptable to any outfit including business and casual. The trousers were simply marvelous: pleated, patterned, and multi-toned, Smith produced an exceptional collection that would lend itself to pulling any look together flawlessly. The pieces stand as very wearable and versatile in completing every man’s wardrobe. Paul Smith’s abyssal exploration was indeed a notable success.
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Above published on editosimons.ca
The Adele-covered March issue of Vogue magazine is not the only thing sparking the latest round of praise. Vogue’s new issue features Givenchy acclaimed Creative Director and fashion God Riccardo Tisci in hand with a collection of exclusive photos with hip-hop fellow God, (and topless) Kanye West.
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The article, aptly named “TisciTime” discusses Riccardo Tisci’s relationships and work with a handful of rap superstars including the likes of Jay Z, Kanye West, Rihanna, and Pharrell.
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Alas, Tisci is indeed not only known for his needle to thread talent. He designed the artwork for the album and single covers for Kanye West and Jay Z’s hip hop album “Watch the Throne”. He also was the mastermind behind the complete hit custom t-shirts made for the official tour.
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Below, find an exclusive excerpt from the article:
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“Tisci’s passion for music has taken him around the world. His strong connection to the worlds of rap and R&B led his friends Kanye West and Jay-Z to enlist his services as art director for their collaborative album, Watch The Throne.
“I was a little bit scared, ” admits Tisci, “Because I’m not an artist or graphic artist.” He finally agreed and was awed when a meeting sequed into a jam session that involved Rihanna, Swizz Beatz and Pharrell Williams, all freely exchanging ideas “like a family giving opinions to each other,” remembers Tisci, “sharing – which is something that fashion is missing,” he adds plaintively.
His artwork for the single “H.A.M.” and the album (which reached number one on iTunes in 24 countries) draw Tisci’s childhood passion for mythology and religious iconography and his current engagement with psychedelic prints and graphics”
(Published on editosimons.ca)